09-28-2012, 10:51 PM,
(This post was last modified: 09-28-2012, 11:04 PM by Shela.)
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Shela
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RE: Sept 28, 2012 - Haley and Phil Phillips - Under:40 Music Marathon
(09-28-2012, 10:23 PM)Miguel Wrote: It's hard to tell from the recording, but did this performance of "Oh My" seemed more sedated? Did she change it up because she only had the keyboard and bass for accompaniment?
Definitely more sedated....and I like it
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09-28-2012, 11:06 PM,
(This post was last modified: 09-28-2012, 11:15 PM by Tusk.)
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Tusk
jonesing for some Gingerbread Cake
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RE: Sept 28, 2012 - Haley and Phil Phillips - Under:40 Music Marathon
(09-28-2012, 10:23 PM)Miguel Wrote: It's hard to tell from the recording, but did this performance of "Oh My" seemed more sedated? Did she change it up because she only had the keyboard and bass for accompaniment? I thought it felt like they made a conscious effort to 'Smokey Night Club' the vibe of these performances...as opposed to 'rocking it' on stage, like at Lolla.
I thought the slower tempo and interpretation of "Now That You're Here" was consistent with the interpretations of the other songs. Keith's keys had interesting flourishes to accent the mood of the performance
Haley + Beatles always = Magic....always
BTW welcome to the Klub, MAE and H4
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09-29-2012, 04:46 AM,
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jjames865
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RE: Sept 28, 2012 - Haley and Phil Phillips - Under:40 Music Marathon
IMO, what Keith did on keys with both “Keep Coming Back” and “Oh My!” achieves even more of a throwback sound. I am reminded a bit of The Doors or even Traffic.
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