(03-15-2014, 07:29 AM)Miguel Wrote: More quotes, from Rolling Stone:

... she said, most of all, it was the pressure to perform that got her down in recent months. "The sad part is, at some point, you have to look at those people who believe in you and say, 'My talent matters more to me than the money does,'" she said. "And what I have to say matters more to me than the money does. I know that it's fun being on top and I know it's fun having everybody wish that they were Number One, but having people envy you really isn't fun at all."

Quote:"In a streamed world where music itself has very little value, selling out is far from looked down upon, it’s the goal.

Don’t blame Lady Gaga, SXSW or even Doritos. The consumer wants all the music that he or she desires — on demand, at a cost of zero or close to it — and we now live in that perfect world.

It doesn’t feel perfect, though. At this year’s festival, historically a place of artistic idiosyncrasy, music labels were an afterthought and big brands owned the joint. Venues were decked out with a riot of corporate logos, and the conference’s legacy as a place where baby bands played their little hearts out to be discovered seemed quaint in a week in which Jay Z and Kanye West kicked it for Samsung, Coldplay headlined for Apple’s iTunes and Tyler, the Creator played a showcase for Pandora.

This new order evolved because when music moved into the cloud, not much of the revenue came with it. CD sales are a fraction of what they once were, and the micropayments from streaming services have yet to amount to anything meaningful. It’s a grim state of affairs, but corporate America, in search of an elusive demographic, has been more than willing to fill the breach."

Quote:No one will miss the stranglehold the large music labels had on the industry, but having shoe and snack food companies decide what is worthy could strangle the new, unruly impulses that allow the music business to prosper.

You hear a lot of the Ramones on commercials these days, but if the suits were in charge when the band was first playing, you never would have heard of them at all. (Anybody who wonders about the impact of big companies as cultural gatekeepers need only go see a studio blockbuster.)

...And in a move that might seem redundant given the irony that she had already coated herself with, Lady Gaga invited the performance artist Millie Brown on stage to drink a bottle of neon green liquid and vomit all over her. Her actions — to happily shill for Doritos, then deliver a lecture on the importance of independent thought — perfectly encapsulate the conflicted state of the industry.

(You could say it was a new low, but last year, I saw Public Enemy, musical heroes of my youth, perform “Fight the Power” inside a mock Doritos vending machine.)

…(Ad agency vice president “The willingness of artists to partner with brands happened because revenues dried up from physical discs,” he said. “The labels are not going to get a lot of sympathy because they were not very good to artists. At least when a brand is involved, there is an understanding that we are borrowing the cachet that the artist has built and we try to make high-quality projects that give value to both the client and the artist. ”

Quote:There is another way, albeit much tinier. While Lady Gaga was doing her thing for Doritos, I was down the street at a showcase for Merge Records. Founded in Durham, N.C., 25 years ago by Mac McCaughan and Laura Ballance, Merge persists by carefully picking the bands that it works with, keeping costs low and producing almost artisanal merchandise — CDs, vinyl records, T-shirts and posters — that fans want to buy. Every once in a while, a small success becomes a giant one, as it did with Arcade Fire, the label’s biggest seller by far.

Mr. McCaughan, whose band Superchunk still records and tours, says he is still in the business of selling music, not chips.

“You can’t guilt people into buying records or get them to stop just grabbing MP3s, you have to give them something they want to support,” he said over breakfast on Thursday. “We have to sell records to make money and to do that, we have to work within people’s short attention span for music. Doritos is trying to get you to look at one thing, and we are trying to get you to look at another thing.”

It is, he points out, a great time to be a music fan. Obscure reissues, B-sides, live performances are all there in friction-free and sometimes plain-old-free formats. But for bands, it is attention amid the clutter that has become expensive, especially at SXSW, where 2,000 acts are looking for love in all the same places.