What It’s Like When A Label Won’t Release Your Album

[Tusk]

MJ Poster, girlygirl posted a link to this article

What It’s Like When A Label Won’t Release Your Album

For those who bristle at the way Haley was treated by Interscope(even though Haley, herself, has said she regrets nothing), reading this article.... it could have been much, much worse

It’s been almost seven years since JoJo has put out an official release, though that doesn’t mean she hasn’t been trying. “I’ve recorded about three incarnations of this third album,” JoJo tells BuzzFeed. “We’ve chosen the track listing, we’ve done multiple album photo shoots, chosen the cover, chosen the credits, everything.” But every time her team tried to present the album to her label, Blackground Records, they never received a response.

“Blackground Records lost their distribution deal through Interscope, and if you can get the answer from them on why that happened, that would be a miracle,” JoJo says, “because I am sure they would not engage you in that conversation.” While JoJo says she has no problem with Interscope, she says she’s lost all communication with Blackground.

JoJo’s case is an extreme one. But whether it’s a new artist waiting to release their debut, or a successful musician who’s seemingly disappeared, many artists have found themselves fighting either to release their music or release themselves from their contracts. It happened to Lupe Fiasco. It happened to Sky Ferreira. It happened to Bow Wow, and Metallica, and Big Boi, and Amanda Palmer. The list goes on.

In most cases, even through politics, artists and labels can eventually reach a place where they mutually agree that it’s not working out and it’d be better to part ways.

(BTW JoJo, the artist in the article happens also to be the first young performer (with a large case of the Xtina 'runs') on Rosie in that video with the young Kree Harrison)

there are a lot of mergers and acquisitions that go on, and the artists get stuck in the middle of it. If you’re not U2 or Justin Bieber, at the top of the food chain, a lot of times artists just get lost in the middle.”

The music industry has changed rapidly in the digital age. Where there were once six major labels in 1998, now there are just three remaining: Sony, Warner Music Group, and Universal, which became the largest international record company after merging with EMI last year. The mergers have left many artists lost in limbo. “Sky Ferreira’s label has gone through four or five label presidents since she’s been signed, and a big merger,” says McLane, who calls Ferreira’s experience “the worst-case scenario

When a label goes through transition, losing the initial person who was pushing for you and had your back can be really confusing — and lonely.

“A lot of times, historically, how this would happen, an A&R guy would be like, ‘Oh, I’m so excited about this new band! You guys are gonna be big!’” says Casey Rae, deputy director of the Future of Music Coalition, an advocacy group for musicians. “And we get you on the label, and everyone’s all excited, and then all of a sudden that A&R person loses their job and you’re just out in the wilderness, and maybe you’re just a line item on some accountant’s ledger sheet. And you can easily be X’ed out because, well, we have other priorities.”

“Once you get signed, the question is politics within the record company; the person who’s championing you — how much power do they have?” says Paul Fakler, a partner at law firm Arent Fox who practices media and entertainment law. And, just as important: “Are they still going to be there in six months?”

Sometimes I feel like people don’t know what to do with certain artists,” Cassie tells BuzzFeed. “But if something hits — you have a hit record and it hits on radio and all over the place … everybody jumps on the bandwagon. Otherwise you’re fighting for your position.”

Not only is it a matter of timing the artist’s readiness for the market, it’s also a matter of judging whether the market is ready for the artist’s sound. Some artists are just ahead of their time. Lady Gaga was first signed to Def Jam (only to be dropped after three months) and later signed to Interscope, where she continued to develop her act for a couple years, the label bringing in Akon and producer RedOne as collaborators. “Music was going a very specific way in the pop world,” says Imran Majid, vice president of A&R at Columbia Records. “She had dynamic songs, and maybe four years ago those songs would’ve just gone over people’s heads.”

There's much more about how it could go terribly wrong with a Label.... Good reading and grateful, Haley got out how she did and with what she did...
(...and making more sense why it's better to hone her song wrting skills, go the "Publshing" direction, instead of quickly signing with another label, giving her more control of her songs and career direction, and not rely on people who are more invested in the business than the music or it's artist. )