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Haley Reinhart Forum
Postmodern Jukebox - Printable Version

+- Haley Reinhart Forum (http://haleyfans.com)
+-- Forum: Topics (http://haleyfans.com/forum-1.html)
+--- Forum: Other Musical Subjects (http://haleyfans.com/forum-27.html)
+--- Thread: Postmodern Jukebox (/thread-2129.html)



RE: Postmodern Jukebox - Miguel - 10-31-2015

I don't know if PMJ's latest promotion using the hashtag #FindPuddles is legitimate or not, but it seems like a big fail.

Background: Their Halloween video features Puddles the Clown. Puddles supposedly sent it to one random person at midnight. Its release is supposedly dependent upon that person releasing it.

They just announced the person's name is Phil Shaw.

Possibly some connection to the Phil Shaw in this FB post and/or video:

https://www.facebook.com/puddlespityparty/posts/1044815282197216

https://www.youtube.com/watch?v=Rkbz1nMxNPs


Found it:


RE: Postmodern Jukebox - Kevin - 10-31-2015

(11-23-2014, 10:52 PM)john Wrote: With Casey's recent video with PMJ and the hope that Haley might also do some work with them I thought a dedicated thread might be a good idea.

This was the very first post on this thread. I don't think any of us imagined what would happen. John, you old soothsayer you.


RE: Postmodern Jukebox - john - 10-31-2015

(10-31-2015, 01:04 PM)Kevin Wrote:
(11-23-2014, 10:52 PM)john Wrote: With Casey's recent video with PMJ and the hope that Haley might also do some work with them I thought a dedicated thread might be a good idea.

This was the very first post on this thread. I don't think any of us imagined what would happen. John, you old soothsayer you.

I'd say it worked out quite well. Wink


RE: Postmodern Jukebox - john - 10-31-2015

Quote:16h
gattimusicJesus and his music disciples @caseybassy @adamkubota_bass @jsayswho
https://instagram.com/p/9f0tBBTHCz/

Quote:Gatti ‏@crisgattina Oct 29 Los Angeles, CA
Me and @ArianaSavalas ' Halloween costume just arrived in the mail in time for @CaseyBassy party tmrw- all I can say is it's gonna be epic

https://instagram.com/p/9f0mNxTHCo/


RE: Postmodern Jukebox - john - 11-01-2015

September:
.................................Views........Views Per Day
............Total Views.....in Sept.........in Sept
SNA......2,014,178......749,880........24,996
Oops!....2,730,511......529,929........17,664
LFool.....2,411,286......412,286........13,743
Creep...10,278,461......994,650........33,155
AATB.....8,115,517......869,018........28,957
Habits....3,652,579......346,624........11,554
TOTAL=29,202,532...3,902,349......130,078


October (31 Oct 2015 @ 11pm PDT)
.................................Views........Views Per Day
............Total Views.....in Oct...........in Oct
SNA......2,790,891......776,713........25,055
Oops!....3,250,654......520,143........16,779
LFool.....2,857,219......445,933........14,385
Creep...11,487,808...1,209,347........39,011
AATB.....9,169,548...1,054,031........34,001
Habits....4,059,031......406,452........13,111
TOTAL=33,615,157...4,412,625......142,343


Views of PMJ videos featuring Haley increased in October, despite the fact that she has gone 2.5 months without a new PMJ video. The CHFIL single and advertisement has contributed to a rise in views over the past few weeks. Her six videos averaged more than 142K views per day in October, which is an increase of more than 12K per day.


RE: Postmodern Jukebox - john - 11-04-2015

Haley sings Mad World, accompanied by Puddles on the the new album. And I think that is all.

Book 'em, Danno.


RE: Postmodern Jukebox - john - 11-12-2015

Welcome To The Jungle - Vintage Orchestral Guns 'n' Roses Cover ft. Daniela Andrade



RE: Postmodern Jukebox - john - 11-12-2015

Quote:Had a great time celebrating the grand opening of the historic ‪#‎ResidenceInn700‬ in downtown Chicago with some of Postmodern Jukebox's superstars: Shoshana Bean, Drue Davis, Maiya Sykes, Aubrey Logan, Christopher Erk, & Von Smith!



Quote:Scott Bradlee
Yesterday at 3:33pm ·
This is the performance that inspired me to go into music. I had just quit taking piano lessons at age 12- having little interest in it at the time- when I first heard Leonard Bernstein conduct George Gershwin's "Rhapsody in Blue." It was an eye opening experience for me; I didn't realize that a piano could sound so exciting and earthy. I wore the cassette tape I had out, and searched all over New Jersey for a music store that sold the complete manuscript, so that I could try to figure out how these sounds were made. I learned more about music from that one piece than any education could have given me, and it taught me that combining musical genres - in this case "classical" and "jazz" - was not only acceptable, but made for some of the most beautiful and expressive music. ‪#‎PMJinspiration‬



RE: Postmodern Jukebox - Miguel - 11-13-2015

wikipedia:

Quote:Commission

After the success of an experimental classical-jazz concert held with French-Canadian singer Eva Gauthier at Aeolian Hall (New York) on 1 November 1923, band leader Paul Whiteman decided to attempt something more ambitious. He asked Gershwin to contribute a concerto-like piece for an all-jazz concert he would give in Aeolian Hall in February 1924. Whiteman became interested in featuring such an extended composition by Gershwin in the concert after he had collaborated with Gershwin in the Scandals of 1922, impressed by the original performance of the one-act opera Blue Monday, which was nevertheless a commercial failure.

Gershwin declined on the grounds that, as there would certainly be need for revisions to the score, he would not have enough time to compose the new piece.

Late on the evening of January 3, at the Ambassador Billiard Parlor at Broadway and 52nd Street in Manhattan, while George Gershwin and Buddy De Sylva were playing billiards, his brother Ira Gershwin was reading the January 4 edition of the New York Tribune. An article entitled "What Is American Music?" about the Whiteman concert caught his attention, in which the final paragraph claimed that "George Gershwin is at work on a jazz concerto, Irving Berlin is writing a syncopated tone poem, and Victor Herbert is working on an American suite."

In a phone call to Whiteman next morning, Gershwin was told that Whiteman's rival Vincent Lopez was planning to steal the idea of his experimental concert and there was no time to lose. Gershwin was finally persuaded to compose the piece.

Composition

Since there were only five weeks left, Gershwin hastily set about composing a piece, and on the train journey to Boston, the ideas of Rhapsody in Blue came to his mind. He told his first biographer Isaac Goldberg in 1931:

It was on the train, with its steely rhythms, its rattle-ty bang, that is so often so stimulating to a composer – I frequently hear music in the very heart of the noise.... And there I suddenly heard, and even saw on paper – the complete construction of the Rhapsody, from beginning to end. No new themes came to me, but I worked on the thematic material already in my mind and tried to conceive the composition as a whole. I heard it as a sort of musical kaleidoscope of America, of our vast melting pot, of our unduplicated national pep, of our metropolitan madness. By the time I reached Boston I had a definite plot of the piece, as distinguished from its actual substance.

...After a few weeks, Gershwin finished his composition and passed the score to Whiteman's arranger Ferde Grofé, who orchestrated the piece, finishing it on February 4, only eight days before the premiere.

...The Rhapsody was performed by Whiteman's band, with an added section of string players, and George Gershwin on piano. Gershwin decided to keep his options open as to when Whiteman would bring in the orchestra and he did not write down one of the pages for solo piano, with only the words "Wait for nod" scrawled by Grofé on the band score. Gershwin improvised some of what he was playing, and he did not write out the piano part until after the performance, so it is unknown exactly how the original Rhapsody sounded.

Quote:In an article in Atlantic Monthly in 1955, Leonard Bernstein, who nevertheless admitted that he loved the piece, wrote:

The Rhapsody is not a composition at all. It's a string of separate paragraphs stuck together. The themes are terrific, inspired, God-given. I don't think there has been such an inspired melodist on this earth since Tchaikovsky. But if you want to speak of a composer, that's another matter. Your Rhapsody in Blue is not a real composition in the sense that whatever happens in it must seem inevitable. You can cut parts of it without affecting the whole. You can remove any of these stuck-together sections and the piece still goes on as bravely as before. It can be a five-minute piece or a twelve-minute piece. And in fact, all these things are being done to it every day. And it's still the Rhapsody in Blue.
https://en.wikipedia.org/wiki/Rhapsody_in_Blue


RE: Postmodern Jukebox - john - 11-14-2015

Scott's channel

Pokemon Theme Song as Jazz, feat. Sara Niemietz