(08-06-2013, 04:54 PM)Tusk Wrote: Excuse the indulgence, but I've been watching this vid like 5 times in a row, today, Cannot believe how well these two perform together, it really is insane/surreal/magical
and to listen to this performance with good audio, the texture and nuances in Haley's voice, not as clear in the above video... ridiculous how good this 'spontaneous' performance is in retrospect
(second video ommitted by tom)
Whets the appetite for CityWalk 
I also tend to listen to her performances handfuls of times in a row. (but I'd say most music I like...short list for sure... has that effect on me.. if I don't have more to enjoy on a deeper and deeper level on repeated plays I'm usually not very captivated in the first place)
I was also blown away by the top performance. I think I'd put it up in the top 30 or 40 Haley performances ever if the sound was a bit better.. Due to the device it was recorded on, the mid tones and richness were missing. I think some noise compression made Casey's guitar sound out of tune in places.
What I really dig about it is how they played off each other and sort of gave each other musical leads which the other echoed and passed back another idea, then they start finishing each other's phrases and seemlessly unite in harmony within the context. (
They throw out some thoughts in the beginning and make it clear to each other as they take their first solos.
Casey leads in with sort of stuttered rhythm(in just barely a bar or two), not exactly how they've done it always.... a pa-Tah chink , pa Tah chink on the guitar
Haley quickly(very quicky) starts mirroring it with the perhaps subtle but quite still noticeably different(from other times) accentuation points in her first solo notes.. and she throws back a bit more bluesy than usual sort of flutter, and cascade down in Do,,das do dos and they play on those combinations throughout. (way beyond my music theory, but is she using a tonic as the blue note rather than the original blues standard 7th ?... I'm almost hearing a a post blues jazz chords developed well past when the song became took on a big band sound like we heard on idol (more the concept/sound what Jazz meant in the 70's and 80's) laid attop a rhythm and base perhaps dating to before the song became a big band thing... sort of a Bahaus clean-ess laid attop muddy waters blues ?
How do they react so quickly ? Of course they know each other and know that sort of cascade is one of the beautiful arrows in Haley's quiver and she know's how Casey likes to chew on notes in a tune as well as how he'll establish the grooving rhythm unaccompanied on a guitar. (as opposed to having the "unplugged" kind of folk sound so many artists switch to "unplugged"... its got all the rhythm of a jazz drummer on a snare and symbol in addition to the sort of walking bass that is Casey's forte..
I think they actually impressed themselves ... Haley almost had a little bashful swoon look shaking hands(maybe the start to the swoon initiated near 3:02 ?) with Casey and Casey's "that was actually pretty good" was sort of like a "wow" restraining any conceit saying more would look like.
Of course that is "over thinking it" a feeble attempt to describe what i find so special about the performance
... I certainly only "just" enjoyed it the first dozen times I listened to it... but the more I listen the more I notice and anticipate (anticipation and fulfillment are real dopamine boosters for me)